Short-run printed custom mailer

Direct mail. I’m not talking about the digital but the physical. You know, old skool — the kind that lands in your desk’s in-tray and not your computer’s inbox.

Is there still a place for printed mailers?

When your inbox is continuously stuffed to the brim with notices and click-me links, a physical piece of mail can sometimes come as a welcome relief. Print can be a novelty, something that stands out from the digital clamour. I can remember the days when I was getting excited over an email popping through, no matter who it was from. Much of the paper post was getting speed tracked off the desk and into the wastebasket. Nowadays that has all been turned on its head. So I was looking to create something that would exploit the rekindled novelty of the paper mailer.

The problem with many printed mailers is the issue of personalisation. Generic is rarely satisfying for the recipient, primarily if your business is based on a custom service. So for me, the solution was to produce something that could be tailored to each client. A traditional bound brochure was not going to cut it. I needed the flexibility of digital but with the permanence and credibility of print.

format choice

So I drew inspiration from Pantone’s colour swatch books, recognising the format would allow swapping out pages rather than being tied to a permanent bound brochure. DL (third A4) size was used as a balance between allowing the pages to fan out nicely and having enough room to display images and text. Trial and error were made on the selection of binding post/screw and in the end, I settled on white plastic 3mm capacity to anchor the pages in place.

You're my inspiration. The Pantone swatch book will be familiar to anyone who has worked with print or tried to decide what colour to paint the spare bedroom.

You're my inspiration. The Pantone swatch book will be familiar to anyone who has worked with print or tried to decide what colour to paint the spare bedroom.

All in a bind. The line-up of binding screws I auditioned for the role of holding the swatches together. The white plastic one on the far right got the part.

All in a bind. The line-up of binding screws I auditioned for the role of holding the swatches together. The white plastic one on the far right got the part.

A 6mm hole punch was used to punch through the corner along with a round corner cutter to finish off. Depending on the weight of paper/card that is used for the pages 5 or more can be bound with the 3 mm deep binding screw/post, obviously greater capacity could be added if a 6 mm or more was used.

I see you. The 6 mm hole punched through the cover of the swatch book with the right-angle corner trimmed to a curve to finish off.

I see you. The 6 mm hole punched through the cover of the swatch book with the right-angle corner trimmed to a curve to finish off.

The swatch book was then packaged in a black card DL size box to upscale the presentation and finished off with a full-colour sticky label on the lid.

Finishing touches

So there you have it. A fully customisable, physical direct mail solution. Print as many pages as you want. Select the most relevant ones for the client you are sending it to. Add an intro letter pasted the inside lid of the DL box (I quite like the retro style implied by doing this and reminds me of the time when you would get a board game with the instructions on the inside of the lid). Throw in a business card and an invite to browse your website, and you’re good to go.

While you cannot guarantee a response from the mailer, you will have IMHO a greater chance of standing out from someone’s overstuffed email inbox, not least by the fact of the slight novelty form factor but mainly for the target customisation of the content on the pages.

Pick a card, any card — the finished DL size swatch book, complete with its black box.

Pick a card, any card — the finished DL size swatch book, complete with its black box.

Refresh your illustrations

A not insignificant amount of illustrated non-fiction publishing involves repackaging and the repositioning of a growing backlist of titles. Its good business to mine your past books and give them a new lease of life. Sales can be boosted by updating editorial content where needed and applying a new design can transform a tired looking publication. All of this is achieved with less cost and time than would be required if one was commissioning a project from scratch.

So you have refreshed your editorial to include the latest thinking from the experts and now have a new funky and engaging design. It's just like going to the sales team with a new book! Well not quite. Illustration styles fall in and out of fashion with surprising frequency, and if your project has them, you can find them at odds with the rest of the design.

Presenting a new look

Illustration refresh – is that a thing? At Oakley Creative, we think so. A project arrived with a brief to refresh the illustrations for a massage book. The coloured pencil diagrams produced some time ago would have been in keeping with the subject matter and original design when done but now looked outdated and jarred with the new typography and page layouts.

Sample illustrations were produced and tweaked with feedback from the publisher to establish the look. With the new style agreed they were carefully crafted to match the information conveyed in the originals (with the occasional modification at the request of the author and editor). The book was now looking on point and ready for its new release into the market.

Old (top) and new refreshed illustration below. Clean simple lines and flat colours were employed to give a contemporary feel (no tickling of the foot was allowed) which was in style with the updated design of Tui Na: Massage to Awaken body and mind.

Old (top) and new refreshed illustration below. Clean simple lines and flat colours were employed to give a contemporary feel (no tickling of the foot was allowed) which was in style with the updated design of Tui Na: Massage to Awaken body and mind.

Geometric portraiture

A publisher approached me to produce an infographic book. Now any editor, author or designer who has created one of these will know how intensive these popular little books can be. My task was made more testing when the commissioning editor added to the brief 25 portraits of tennis stars, illustrated in style to match the infographic charts and graphs. I was up for the challenge..

The trend for 'geometric portraits' of the famous has been growing in recent times with the talents of Stanley Chow and Daniel Nyari. The work of both was provided as examples of the direction that the tennis star illustrations should go. So what follows are some behind-the-scenes and a finished example of my take on geometric portraiture.

Making the face fit

In my opinion, good illustration begins with reference. Google images is a great place to start as any. I also found YouTube invaluable because (for me) when attempting a caricature it is important to get a feel for the living breathing person, to see their facial mannerisms and offers more insight than the single moment in time a photograph provides.

A selection of head shots and a YouTube video give a feel for Nick Kyrgios's look and demeanour.

A selection of head shots and a YouTube video give a feel for Nick Kyrgios's look and demeanour.

My application of choice for this kind of job is the ubiquitous Adobe Illustrator. Careful plotting out the location of eyes, nose and mouth come next, along with the general shape of the head.

I then constructed the face with a series of geometric outline shapes. This part of the process is perhaps the most intuitive and non-formulaic. To help keep things symmetrical I use a workaround which mirrors on the vertical axis, giving a live preview which makes for a more natural way of illustrating. I will also add non-symmetrical elements where needed to provide more personality.

Keeping those pesky bezier curves under control.

Keeping those pesky bezier curves under control.

Adding colour is a combination of taking samples from the reference photographs and mixing from scratch to produce the right balance on the face.

The Nick Kyrgios portrait completed. Onward with the other 24 ;-)

The Nick Kyrgios portrait completed. Onward with the other 24 ;-)